A crowd marches under an arch with a charismatic young man on horseback in “Jesus Enters the City” from “The Passion of Christ: A Gay Vision,” a series of 24 paintings by Douglas Blanchard. Signs for “freedom” and “justice” make it a rally for almost any cause, from marriage equality and LGBT rights to the Occupy movement or the Tea Party. The masses adore Jesus as if he was a rock star or political leader. They stretch their hands up to him, grasping for the savior that they expect him to be. The group expresses 21st-century diversity: male and female, multi-racial, young and old, queer and straight, able-bodied and wheelchair-bound. A mother and daughter lead the way, along with a black man who holds the horse’s reins. In the middle of this “triumph,” Jesus bends down to be embraced by someone unnoticed and out of view. He is focused on something that others ignore. By passing through the arch, Jesus leaves his old life behind to meet the new challenges ahead.
Source: Jesus in Love Blog